Birds come to my roof. People come to the gallery. Open to meetings and exposed to accidents. I placed flour-covered cyanotype papers on my roof and placed food as a lure for birds, and at the entrance of the gallery during the opening of an exhibition (Binyamin Gallery), where art was used as a seduction mechanism. My intention was to create 'paintings of feet' of birds and people. The two-dimensional surface was assumed as a space of goings and comings. The painting became a performance. 2022