During covid, I photographed myself in two poses of sculptures with complementary energy (stiff and relaxed). I used gum bichromate to print them using rocks I collected in the Big Crater and crushed them into pigments. The works remained as rough and sharp as the rocks. I sought to place my crushed heart and the gathering of the 'self' in a kind of ritual (psychomagic) - In the heart of geological fraction, part of natural phenomena, part of the evolution and change of the self as matter. 2019